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about

Despite having played in dozens of bands and having written/recorded over seventy-five songs in the last decade, I’ve never been asked to write a song for a specific project…until Ryan. I was a bit nervous at first and wasn’t sure I’d be able to write a song for his project because songwriting has, for me, always been an organic experience. As such, my songs have typically been very personally motivated and directly related to my own need for cathartic artistic expression. And even though I spent a decade in the Utah County punk scene and am a fan of many politically focused punk bands, I’ve never been able to honestly write a political song myself. It’s just not in my nature. So instead of focusing on the political satire of Ryan’s book, I decided to focus on the ‘time-travel-to-fix-the-future’ concept…because, well...who hasn't wanted to go back in time and fix the mistakes they've made, right? And I've made plenty.

Musically, I wanted the song to represent the ‘butterfly effect’ that is often associated with time travel. To achieve this, I wanted to begin in one genre and end in a completely different genre. So, I started with music that was mellow and ended with something that was aggressive and heavy. I’d describe the first half of the song as being inspired by The Frames, Frightened Rabbit, Mumford and Sons, The Swell Season; and the second part of the song as being inspired by In Flames, Soilwork, Disarmonia Mundi, Thrice. The contrast, to me, is fun. It's something that I've always wanted to do because I listen to a lot of mellow folk/indie rock and a lot of punk/metal/death metal. And I've written songs over the years within both genres, but I've never attempted to combine them (to this degree) in one song. They makes me smile when I go to sleep at night.

Lyrically, the song is very much an honest expression of my own desire to fix the past. I wrote the lyrics to the first verse, which plays on the 'home is where the heart is' idiom, in one of my notebooks several months before Ryan asked me to write this song. I wasn't intending it to become lyrics to a song, but rather, I was just expressing a thought that I'd been dwelling on....and to even begin to explain it all would require a book…which is currently a work in progress (self-plug time: www.jephpreece.com/iamicarus/index.html). The title is ‘I Am Icarus.’ It’s a memoir/theme album based on my experience getting married, becoming a step-father to three amazing kids, and ultimately going through a divorce and the aftermath. (Yes, like Ryan’s book, my book will also include a soundtrack…though, each song will be recorded by me and will correlate directly to the chapters of the memoir. ‘Lost in a Hole’ is not likely going to be added to the soundtrack but is very much related to the experiences therein.)

lyrics

If home
is where the heart is then
what happens when
the heart feels dead (2x)
but the body goes on living,
the body goes on living
[Repeated]

So take me back, if you can, through the annals of time,
where I will walk with a spade to bury the signs
of a heart losing hope of ever finding a home
and a body breaking down from digging so many holes.

So take me back through the rain, and the clouds, and the sky,
to a place where I can sit and watch my memories collide
in a battle to define an unseen fallen star
where the happiest warriors leave the deepest scars

But my body goes on living because there’s too much at stake,
a life of practicing for digging the grave. (2x)

If home is where the heart is then what happens when
the heart feels dead but the body (body) goes on living.

I used to be a husband, a father, and a saint.
(Now I’m nobody in the worst kind of way.)
I’m less sure of love than I am of pain.
(Now I’m forced to sleep in this bed that I made.)

If I could go back in time to fill in all my holes
will it make any difference, any difference at all?
Or will I still be without a home?

If home is where the heart is then what happens when
the heart feels dead but the body (body) goes on living.

credits

from music from and inspired by the novel "Dick Cheney Saves Paris", released August 30, 2011
Music and lyrics were written, performed, and recorded by Jeph Preece. All the spoken background voices were pulled from an audio recording of Ernest Hemingway’s 1954 Nobel Prize for Literature.

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Dick Cheney Saves Paris San Diego, California

"Dick Cheney Saves Paris" is a madcap time travel novel with accompanying soundtrack, released by Love Earth Publications on 8/30/11, the same day the world welcomed Cheney's own novel--er, memoir.

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